Lee Ufan: The Art of Encounter - Jean Fisher - Paperback - NON-FICTION - ENGLISH - 9783865604491

Summary: Introduction by Jean Fisher. Academic Level : General Adult Academic Subject : ART CRITICISM Author : Jean Fisher, Lee Ufan, Stanley N. Anderson (Translator) Binding : Paperback BISAC Subject : Art / Criticism, ART / Criticism & Theory Book Type : NON-FICTION Dewey : 701 Edition : REV EXP, Subsequent, Translation Geographic Designator : Asia Language : ENGLISH Pages : 257, 264 Place of Publication : Western Europe Publication Date : 08/30/2008 Publishers : Museum Publication Subject Development : Asian Table of Contents Part 1. The Art of Emptiness Yohaku - Emptiness (1999) 10 (1) Interconnection (1999) 11 (1) On Infinity (1993) 12 (5) The Man in the Middle (1991-1996) 17 (1) Identity and Difference (1998) 18 (2) Art and the Body (1978-1997) 20 (3) Setting the Conditions of Painting (1990-1994) 23 (1) The Colors of Painting (1993) 24 (1) Using a Brush (1975) 25 (1) The Fath of Painting (1987) 26 (1) The Movement of Vision (1996) 27 (1) The Desert (1984-1990) 28 (1) Stand Still a Moment (1997) 29 (1) The Subhects of Sculpture (1982) 30 (1) The Conditions of Sculpture (1976) 31 (1) Relatum (Ston, rubber measuring tape, space) (1969-2000) 32 (1) Discovery of Stone (1974-1986) 33 (3) Going to Meet Stones (1988-1992) 36 (3) Planning and Site (1974-1999) 39 (2) The Process of Making Art (1979) 41 (1) On the Hand (1973-1987) 42 (2) The Living Hand (1996) 44 (1) Contemporary Art 45 (3) A Medium of Revelation (2002) Part 2. Various Artists Thoughts on Pata Shan-Jen's Magnolias (1983) 48 (3) Painting Saint-Victoire (1986) 51 (1) Cezanne's Watercolors (1994) 52 (2) Impressions of Matisse (1981) 54 (3) Kasimir Malevich Kaleidoscopic Catharsis (1997-2003) 57 (3) Mondrian (1991) 60 (2) Gerhard Richter (1993-1998) 62 (1) Richard Serra (2000-2001) 63 (3) Daniel Buren (1994-1996) 66 (1) Giuseppe Penone (1996) 67 (2) Anish Kapoor (1997) 69 (2) To Mr. F. Stella - On Excessive Painting (1987) 71 (2) Thoughts on Jiro Takamatsu's Shadow Paintings Focusing on Shadow of a Child, 1969 (1999) 73 (3) Borrowing Stones (1995-1997) 76 (2) Using Mirrors (1989) 78 (2) Nam Jun Paik: Beyond Video (1984) 80 (6) Part 3. The Domain of Art The Issue of Abstraction in Painting (1990-1996) 86 (6) On Vision (1982-1998) 92 (3) Being with the Outside World (1982-1998) 95 (2) The Domain of the Painter (1986) 97 (6) Robots and Painters (1987) 103 (3) The Circle of Painting Umehara Ryuzaburo and Kobayashi Hideo (1985) 106 (3) The Painter's Two Kinds of Vision (1986) 109 (3) Weathering (1987) 112 (2) What Can Be Seen in a Moment (1985-1992) 114 (4) Repainting (1987) 118 (1) The Position of Painting and Sculpture (1986) 119 (3) Ikebana (1988) 122 (3) Steel Plates and Stones (1984) 125 (7) Reconstruction (?) - Interview (1998) 132 (2) Words and Silence (1982-1993) 134 (2) Japanese and Translation (1988-1992) 136 (3) Words (1985) 139 (1) The Word ``Oriental'' (1988-2001) 140 (6) Part 4. Toward a Site of New Expression The Mono-ha Foreshadowings and Premonitions (1977-2001) 146 (4) Twentieth-Century Art (1998-2000) 150 (2) American Art (1999-2000) 152 (2) Japanese Contemporary Art (1998) 154 (2) The Will to Protest (1998) 156 (2) For a New Site of Expression (1994) 158 (4) Contemporary Art and the Everyday (1999) 162 (3) Yearning for Chaos (1998) 165 (2) Art in Decline (1988) 167 (2) Dialogue with the Unknown (1999) 169 (2) Threatening Art (1974-1994) 171 (1) Meeting and Parting (1988-1996) 172 (1) Toward Dissolution (1998) 173 (1) Today's Key Words (1985) 174 (1) Brain-Centered Thinking (1978) 175 (1) Out of Control (1978) 176 (2) Imagination (1974) 178 (1) Understanding and Knowing (1971-1983) 179 (1) Transparency (1973) 180 (1) The Structure of Cooking (1973-1982) 181 (2) East Asian Cuisine (1970) 183 (1) Natural Law in the Eyes (1994) 184 (2) Light and Darkness (1982) 186 (2) The Thing Called Nature (1971-1998) 188 (2) Place in Art (1971-1985) 190 (2) The Role of the Art Museum (1998) 192 (1) Overcoming the Modern (1971) 193 (1) False Criticism (1978) 194 (2) In Today's Cities (1996) 196 (2) Part 5. Fragments I Fragments from the catalogue ``Lee Ufan'', published 198 (18) Bijutsu Shuppan Part 6. Fragments II Fragments from the catalogue ``Lee Ufan'', published 216 (24) Toshi Shuppan Part 7. Fragments III Fragments from the catalogue ``Lee Ufan, Painting Sculptures'', 52nd International Art Exhibition-La Biennale di Venezia, Palazzo Palumbo Fossati, Venice, published 240 (8) Fondazione Mudima Fragments 2004 to 2007 No. 125 - No. 132 248 (2) Postscript 250 (2) Postscript for revised edition 252 (2) Biography 254 (3) Translator's Biography 257